Since the late 1960s, public and private collections around the world have housed a significant group of Tibetan artifacts that exhibit a strong typological, iconographic, and stylistic unity, forming a distinct group among all those cataloged as originating from the “Land of Snows.”
In 1993, I had my first opportunity to lay the groundwork for a connection between this style and the photographs taken at Densatil (gdan sa mthil) by P.F. Mele during the expedition led by Professor Giuseppe Tucci of the Italian ISMEO in 1948.
Drafted in haste for an auction catalog based on the few sources available at the time, this text quickly proved to be incomplete and erroneous in certain respects, but it served as the starting point for the “Densatil Project,” which aims to gather all the photographs, publications, and information that have become available since then in order to compile a “catalog raisonné” that is as comprehensive as possible. |